Neustadt, Robert (2014) Border Songs: Bringing the Immigration Crisis to the Classroom with Music. Music and Politics, VIII (1). ISSN 1938-7687
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Neustadt_R_2014_Border_songs_immigration_crisis.pdf Available under License Creative Commons Attribution Non-commercial No Derivatives. Download (12MB) | Preview |
Publisher’s or external URL: http://dx.doi.org/10.3998/mp.9460447.0008.104
Abstract
During fall semester of 2010, I began taking students on five-day field trips to the Arizona–Mexico border. One part of these trips involves meeting with sound sculptor Glenn Weyant, who plays the border wall as a musical instrument. Weyant attaches contact microphones to the wall and plays it, sometimes bowing the steel structure with a cello bow, and other times playing it rhythmically with what he calls “instruments of mass percussion.”
| Item Type: | Article |
|---|---|
| ID number or DOI: | 10.3998/mp.9460447.0008.104 |
| Keywords: | Immigration; Arizona-Mexico border; U.S.-Mexico border; music; Operation Streamline; songs |
| Subjects: | H Social Sciences > HN Social history and conditions. Social problems. Social reform |
| NAU Depositing Author Academic Status: | Faculty/Staff |
| Department/Unit: | College of Arts and Letters > Global Languages and Cultures |
| Date Deposited: | 16 Oct 2015 19:28 |
| URI: | http://openknowledge.nau.edu/id/eprint/1035 |
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